Welcome to our Website with upgraded content & media information.

NEWS: Our SHOP is now open for >HISTORIC SOCIALISMUS inquiries and THEOLOGY >SPIRITUALITY inquiries. Soon will be open for your >RELIGION inquiries, other subjects will follow thereafter. Just return or let us know your question, thank you for understanding.

And please excuse typing errors, we’ll continue with their corrections.

What can you expect here?    

You could discover Fictions and Non-Fictions texts / titles originally created during nine Centuries – from the 12^th Century through the early 20^th Century. And published in the 16th Century and thereafter.

Alltogether six existing collections are containing ‘physically’ the original works and contents mentioned above and without any public content access into these six non-assessable locations. These collections have a fascinating history including information about how and why these private collections with thousands of works were compiled and preserved ‘physically’ until today. 

Further to this you could discover lots of data about Artists and their Artworks, some are ‘physically’ held also at private locations.

Our thematic collections – such as Predecessors of Austrian Psychology / Psychoanalysis, or Proletarische Frauenbewegung, or the Fine Art-collections – were compiled from different ‘physical’ locations and under Academic criteria.

In other words, the Original contents were transferred into new media, subsequently containing these valuable (often rare) contents which we have on offer in our non-print publictaions.

Which AUTHORS/ARTiSTS can you expect here ?

Author names were checked formally and for its subject by University Librarians and Scholars to identify / verify approx. 6,200 authors (f/m) – and 250 artists (f/m)- with their works in our collections.

In addition: we offer approx. 2,300 anonymously written titles**. We don’t have any such knowledge about these anon. writers and/or the contents! Therefore, these anon. titles offer research opportunities to ‘unmask’ its authorships and its contents. And to find eventually reasons why such works originally were published anonymously.

Similar situation with several hundred writers’ names and its contents are ‘hidden’ in our Anthologies or Periodicals. Our 215 Periodicals (Fictions & Non-Fictions) includes works from several hundred authors with a total of approx.120,000 pages, thus inviting you to discover / ‘unmask’ individual authorship and its contents in these 215 Periodicals.

Our Fine Art-database contains Art work data and images from approx. 4,300* paintings / drawings. The ‘physical” artworks (in oil, aquarelle, drawings etc.) were created in Europe from about 250* Artists (f/m) in the 16th to the 19th Centuries.

Which SUBJECTS can you expect here?

Theology (Spirituality) & Religion (Mystik, Aszese, Dogmatic, Lithurgy, Sermons etc.)

Predecesors of Austrian Psychology

Literature in English, French, German

Historic Socialism 

Political History

Fine Art – Paintings, drawings from European Artists (not contemporary art).

Which MEDIA can you expect with our contents?

Please take into consideration, originally, our Text contents were created during nine Centuries (12th – early 20th Centuries). Then (re-)printed in ‘physical’ pamphlets, books, periodicals during 16th to early 20th Centuries. 

Generally spoken, our non-print media with such textual contents are in approx. 8,000,000* pages, retrieved from approx. 40,000* ‘physical’ textual works in English, French, German Languages, some works are in Latin Language. 

Originally, the content data about Fine Arts in Europe were created during four Centuries (16^th – 19^th Centuries).

In Libraries, Archives, Museums, Private Locations – where artefacts and documents were collected, used and preserved – the passage of time becomes tangible. Each curated and preserved item holds a unique imprint of the era it originates from, inviting us to ponder the connections between individual experience and the broader movements in history.

Such items and such collections with its contents often reveal intricate stories of innovation,transformation and changes, reflecting shifting tides of knowledge, religion, culture, politics and societies across Centuries.

However, often such contents were never / are no longer ‘physically’ assessable to the public.

And because of old, printed paper qualities are endangered to lose their contents forever. Our engagement and our works try to avoid such loosing.